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Barbara trimming standards at her
home. Indian Island, Maine, 2002
(2003)
52minutes.
Click here
to buy a DVD
$25 plus tax and shipping. ($50 public performance, libraries etc)
Music by Hawk Henries
Barbara Francis' story is quite amazing and she truly is an inspiration. You have done a masterful job of capturing her,
her art, and her history on film. Thank you so much! Viewer from Ohio;
2003
*** - Recommended Video Librarian 2003

Barbara's husband, Marty, pounding
ash to make weavers and standards. Indian Island, ME 2002
Marty died on January 1st, 2006. He
is greatly missed.
Best Diversity Film; Route 66 Film Festival August 2003
Award of Distinction; Indian Summer Image Awards August 2003
Maine International Film Festival July 2003
DaVinci Days
Film Festival July 2003
New Haven Film Festival; Sept 2003
American Indian Film
Institute Festival, San Francisco; November 2003
First Nations
Film and Video Festival, Chicago; November 2003
Maine Public Television
- June, 2004.
Boston/New England region
Emmy nomination - 2005
"When I
floundered the most coming back to my tradition and where I came from was my
salvation."
Barbara Francis had been away for five years when she came back home to
Indian Isle, Maine, in 1977. She was twenty years old, alone, and with no
home to go to. Alberta Nicola and Violet Frances Shay had been basket makers
all their lives. They took Barbara in, gave her a home, and taught her the
basics of basket making. Through their stories and tales they gave her a
deeper understanding of her Penobscot heritage. But more importantly, at
that time, they provided what she needed most of all - quiet comfort and
reassurance. Barbara was pregnant, deserted, and searching for a place in
this world. She began to find it here with these two old Indian women.
"They were so superstitious in the old ways, the two old women said, `You
are going to have a boy and he's going to have a noose around his neck.' And
it turned out I had a boy and his umbilical cord was around his neck."
Nedabeh was born on December 27th, 1977. Barbara's place was coming more and
more into focus. Alberta and Violet taught Barbara how to make bookmarks and
button boxes and had gotten her through a difficult time in her life.
However, it wasn't until years later when her grandmother, Francine,
suggested that she make baskets with her that Barbara began to learn more
complicated forms and intricate weaves. Soon, she surpassed her
grandmother's talents for weaving and started to come up with designs of her
own. After seeing Barbara's talent emerge renowned basket maker, Rose Clark,
not only passed on her knowledge of basket making to Barbara but also her
wooden blocks that she had used all her life and had, in turn, received from
her ancestors. Others that helped Barbara along the way include Fred Nicola;
her aunt, Eunice Crowley; grandmother, Doris Daigle and many others whose
names and lives have long since passed, but whose spirits play on in the
hands of basket makers like Barbara Francis.
"For me, Rosie Clark and these old basket makers, they are here all the
time. They are part of me. Part of my work. And they are part of the process
of passing it on to the next generation. Each one of them gave me something.
I feel like I am walking in their footsteps right behind them".





